Jeremy Houghton’s Commission for Sheikh Hamdan bin Rashid Al Maktoum. 2017

Jeremy Houghton’s 2017 Residency at Shadwell for Sheikh Hamdan bin Rashid Al Maktoum – Deputy Ruler of Dubai.

In 2017, acclaimed British equestrian artist Jeremy Houghton undertook a short residency at Shadwell Stud in Newmarket — a collaboration that brought together one of the UK’s foremost painters of horses with one of the most storied breeding operations in global horse racing. The partnership allowed Houghton to document life behind the scenes at this iconic stud, capturing the energy, elegance, and quiet intensity of its horses, handlers, and heritage through his signature, monochromatic style.

Jeremy Houghton’s time at Shadwell added to an already impressive body of work. Known for his ability to portray movement and atmosphere with both delicacy and dynamism, Houghton had previously painted Queen Elizabeth’s horses at Windsor, as well as the elite riders of the Household Cavalry. His evocative depictions of Frankel — the unbeaten champion considered by many to be the greatest racehorse of all time — and other equine legends, firmly established him as one of Britain’s leading sporting and equestrian artists. His art balances tradition with modernity, often using negative space and light to suggest motion, rather than define it.

Shadwell Stud, founded by Sheikh Hamdan bin Rashid Al Maktoum, has long been a pillar of the global thoroughbred industry. Its Newmarket base has produced countless racing legends, including Nashwan, Salsabil, and the more recent superstar Baaeed. Under Sheikh Hamdan’s vision, Shadwell became not only a breeding powerhouse but also a symbol of excellence in horsemanship and sportsmanship. Jeremy Houghton’s residency offered a rare artistic window into this elite environment, where heritage meets high performance.

The residency also continued a distinguished British tradition of racehorse portraiture. Artists such as Sir Alfred Munnings immortalised scenes of racing and hunting in the early 20th century, while modern painters like Charles Church and Peter Curling have kept the genre alive with contemporary flair. Houghton’s work stands apart for its expressive use of movement and minimalism, capturing not just the form of the horse, but the fleeting spirit of the sport.