Jeremy Houghton. Exhibition Tour in India. 2012.
Renowned artist in residence Jeremy Houghton has captivated art lovers and sports aficionados alike with two stunning exhibitions across India in 2012—each blending athletic grace and vibrant imagery in unforgettable settings.
‘The Rise of the Phoenix’ – Visual Arts Gallery – Delhi.

In the historic capital, Houghton’s one man show, hosted by eminent gallerist Ushat Gulgule, announced his arrival on the Indian art scene. The exhibition showcased the best of his flamingo collection, where these elegant birds become embodiments of rebirth and flamboyance. The Delhi show was a visual symphony: flamingos frozen in mid-strut, wings exuberantly spread, their reflections shimmering. Each canvas, bold yet tender, reaffirmed why Houghton’s flamingo portfolio is collected far and wide.
‘Olympic Sports’ – The Jodhpur Mehrangarh Fort gallery – Hosted by HH Maharaja of Jodhpur

Houghton’s second venture took place within the storied walls of Jodhpur’s Mehrangarh Fort, under the patronage of His Highness Maharaja Gaj Singh II. This majestic exhibition combined his Olympic collection with the art of polo, establishing a vibrant dialogue between horse sport, global competition, and royal tradition.
The Mehrangarh Fort, a towering sandstone fortress built between the 15th and 17th centuries, has witnessed centuries of Rajasthan’s dynastic history. It is the ancestral seat of the Rathore clan—once court to Maharajas like Sir Pratap Singh, whose 1889 polo team played in Queen Victoria’s Jubilee and helped popularise modern polo. Today, that legacy endures in the Jodhpur Polo & Equestrian Institute and the Maharajah’s December polo season, officially revived in 1993 and enhanced by world-class grass grounds and tournaments like the Maharaja of Jodhpur Cup .
Set against the Fort’s dramatic ramparts and lit in the evening glow, Houghton’s paintings came alive. Scenes of polo chukkas and Olympic athletes in fiery motion shared gallery space with candid sketches—endorsing his hallmark fusion of sporting spirit and gestural artistry. The event solidified his reputation as a premier sporting artist, seamlessly linking his work in the Royal Mews for HM Queen Elizabeth to modern polo and Olympic dynamism.
Houghton belongs in the lineage of great artists who celebrated sporting and equestrian subjects—think George Stubbs in the 18th century, Edgar Degas with his racing thoroughbreds, or modern painters like Sir Alfred Munnings and Cecil Aldin, famed for their equine portraits. Yet Houghton’s work feels entirely of our time, channeling fluidity, instant intensity, and painterly gestural energies that speak to contemporary audiences.
Jeremy Houghton’s exhibitions are feats of storytelling. He vividly asserts himself as one of the most exciting sporting artists of his generation, reinvigorating equestrian and sporting art for a modern, global audience. Whether through flamingos set aflame with colour or the Olympic spirit lit by the ancient ramparts of Mehrangarh, Houghton paints sport as ritual and animal connection as human heritage.